Panga Movie Review | Kangana Ranaut | Jassie Gill

Panga Movie Review | Kangana Ranaut | Jassie Gill


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Directed by
Ashwiny Iyer Tiwari

Writing Credits (in alphabetical order)
Nikhil Mehrotra

Cast (in credits order)
Kangana Ranaut … Jaya Nigam
Jassie Gill … Prashant Nigam
Richa Chadha … Meenu
Neena Gupta … Jaya’s mother
Yagya Bhasin … Adi
Rajesh Tailang … National Coach Sinha
Deepak Agarwal … Clerk

Music by
Ankit Balhara
Sanchit Balhara

Cinematography by
Archit Patel
Jay I. Patel

Plot of Panga

Set in Bhopal, Jaya Nigam, played by Kangana Ranaut, an ex-commander of Indian Kabaddi crew is poked by her seven-to-be-exact year-old that if Serena Williams can make a rebound after labor, for what reason wouldn’t she be able to. So the now overlooked, when fruitful Kabaddi player sets on an excursion to recover her employment by taking Panga.


The film means to extend the best quality on the planet; a lady’s resurgence while managing steady blame to be away from her kid. A lady who is fixated on her vocation surrenders everything cheerfully when it is required. She is monetarily autonomous, kind, entertaining, sympathetic, and has a delicate, sweet association with her child Adi and spouse Prashant played by Jassie Gill.

However, in one discourse she says “Mujhe bohot khushi milti hain hit principle tumhe aur Adi ko dekhti hu, standard hit apne aap ko dekhti hu … “. In the midst of what can be properly called a consummately upbeat family, some place she despite everything feels that she could have been something that is some place abandoned by all the local obligation.

Co-composed and coordinated by Ashwiny Iyer Tiwari, the pith has been caught perfectly and furthermore unordinary for a games dramatization. However, the recipe lies in both the story and the execution.

Directly from the beginning, the push to spruce up an unremarkable ordinary family unit by components, for example, kicks, and mother’s sweet reprimand seems imagined. Furthermore, one prompts the other, from the pace to exchanges to screenplay everything begins self-destructing and turns this what could some way or another have been an incredible film into a dull and monotonous story.

It is delayed to such an extent that in a significant discussion on the off chance that you snooze off, most likely you won’t miss anything awakening following ten minutes.

What is considerably additionally disillusioning is with a story and backstory, this obscure, the basics are the equivalent unsurprising ones which the crowds have seen a gazillion times as of now.

Be that as it may, dissimilar to other such customary accounts of a similar sort, this family is without the prevention factor, it is the Jaya who keeps down and later pushes her limit.

Additionally, Neena Gupta merits more considerable jobs than simply showing up in a film with some arranged exchanges.

I leave you with the trailer of this motion picture, check whether you discover the inspiration to get this while it endures.

Panga Movie Review

Panga Movie Review | Kangana Ranaut | Jassie Gill

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